Hatsumi Bujinkan Daikomyosai 2000

Soke Hatsumi -This 3 day live instructor training is all about using the whole body to strike and disable opponents. Hidden or unexpected ways of using weapons such as throwing your weapon at the attacker or using metsubishi techniques to attack the eyes are demonstrated. Several 5th dan tests are shown. Many weapons were used [...]

Hatsumi Bujinkan Daikomyosai 1995

Naginata and Daishosabaki were the focus of 1995’s live 3 day instructor training. World class Bujinkan instructors attended to learn Soke Hatsumi?s magic of taijutsu and expanded life through Naginata (long bladed staff) and Daishosabaki (sword disarm counters). Having to move with a long range weapon challenges the taijutsu of even the best practitioner and [...]

Hatsumi Bujinkan Daikomyosai 2002

“BUDO OF LIFE” – Juppo Sessho the theme of this event as presented here has many meanings, including the ten (or infinite) ways/principles of negotiation, but it can also mean to kill or to give life. Budo Taijutsu Juppo Sessho is understanding all the possible relationships that happen or could happen in a given exchange, [...]

Hatsumi Bujinkan Daikomyosai 2003

“Daikomyosai 2003 – Budo of Zero” (Juppo Sessho Theme) by Soke Hatsumi Several hundred instructors from around the world gather for an international convention with Soke Hatsumi. The theme is to learn true budo and to learn from ancient lessons of combat.

Hatsumi Bujinkan Daikomyosai 2004

BUDO OF ELEGENCE Roppo Kuji Bikenjustu – 6 magical ways of the Sword was this Tai Kai’s Theme ) This event was held in the honor of the late Ninjutsu grandmaster Toshigustu Takamatsu and what a special event it was. The sword training was excellent as Soke Hatsumi revaled teaching aspects of true budo in [...]

Hatsumi Bujinkan Daikomyosai 1999

Soke Hatsumi shares Kukishinden Ryu At this 3 day international event in Tokyo, Japan Soke Hatsumi went through a vast amount of wazas (forms) by having a shihan instructor teach them as a traditional form and then Soke continued to take each movement of the form into many variations so a deeper understanding could be [...]